Even as city streets became unsafe for exploration, as a mostly rural environment gave way to a relatively sterile suburban one, and as physical labor gave way to the information age, schools never responded to the cultural shift toward abstraction by moving in the opposite direction. ![]() Marshall McLuhan, for example, proposed that schools would have to serve as “civil defense against media fallout.” That didn’t happen, of course. ![]() A few observers quickly recognized the significance of this inundation. Those children who spent an inordinate amount of time in the world of abstractions were typically chastised for being “bookworms” and pushed outside to get some fresh air.Īll of this changed with television, which threw iconic rather than textual representations at children (and adults) at a mind-numbing pace. Rarely, however, was it allowed to supercede it. The abstract character of the texts and numbers found in schools complemented the intensely physical character of life outside. From the seventeenth century through the first half of the twentieth, schools were places children went to gain entry into the world of symbols. To a large degree, American schools were invented out of a need to heat up children’s access to media. To be sure, this effort would represent a radical reversal of schools’ traditional relationship with media. By helping our youth become good at and appreciate the value of profound human engagement, we may help cool the attraction to mediated experiences expressed by my student. It seems to me that in such a society one task of schools would be to stress the kind of deeply caring, fully present, and wholly human interaction that long ago disappeared from ordinary public life and is now rapidly evaporating from private experience as well. In a society in which adults so commonly treat each other mechanically, perhaps we shouldn’t be surprised that our youth are more attracted to machines. I do feel deeply disturbed when I can run errand after errand, and complete one task after another with the help of bank clerks, cashiers, postal employees, and hairstylists without ANY eye contact at all! After a wicked morning of that, I am ready to conduct all business online. The next day a student sent me an e-mail that included the following: I presented the study, with unconcealed scorn, to a graduate class I was teaching at the time. Several years ago a study found that young people actually prefer ATMs and automated phone systems to bank tellers and clerks. But one place where we would do well to employ this thermostatic approach is in our relationship to technology and the fundamental ways that a vast number of electronic tools mediate and shape our children’s experiences. Schools can’t be expected to solve all of our social ills. Postman and Weingartner recognized that there are limits to this role. If a culture becomes too enamored with competition, schools would emphasize cooperation if it overemphasizes individuality, schools would emphasize community responsibility if it allows poor children to go hungry, schools would (and do) develop lunch and breakfast programs to feed them and so on. In Teaching as a Subversive Activity, Neil Postman and Charles Weingartner argued that one of the roles of schools in a free society is to serve as a cultural thermostat - to take the temperature of the culture, determine where the culture is over- and underheated, and then gear instruction to compensate for those extremes. I first encountered the idea of the compensatory role of schools in 1970, while preparing to become a teacher. They won’t eat it if it doesn’t taste like fast food.”Īside from their stunning capitulation of adult responsibility, these comments illustrate what has become a common disregard for one of schooling’s most important tasks: to compensate for, rather than intensify, society’s excesses. The only way I can teach them anything is by showing them videos.” Or this from a middle school principal who defended serving children junk food every day by telling me, “That’s what they’re used to eating. Consider this from a high school social studies teacher who told me, “Kids don’t read anymore.
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The 2017 Seattle Wedding Expo included a full wedding fashion show featuring different vendors and brands. We can help make your rehearsal dinner enchanting, create a guest room block for all of your out of town guests, hold an after the affair brunch and more. Several portals to the plane of Wildfire exist, but the Emberwilde Order has made no move into Bogardan for fear of insulting the powerful entities that reside in its depths. Bogardan is the second most powerful site of red mana on Dominaria ( Shiv being the first). Many of Bogardan's cultures are primitive, enthusiastically sacrificing both kin and strangers to the volcanoes they perceive to be gods. Most of Bogardan's settlements are beside the meager rivers that flow through two canyons across the land. The air is often choked with cinders and the night sky glows a dull red. In contrast to Urborg's jungles, Bogardan is predominantly arid and riddled with volcanoes. Many embermages hail from Bogardan.īogardan once was at war with the hellish demons of Urborg, controlled by the lich Nevinyrral. Among the most volcanic regions on Dominaria, the creatures and tribes that inhabit Bogardan are as volatile as the land itself. An interesting design challenge and a reasonably effective deck despite the odd look.Ī high tier Jeskai tempo control deck based on the infamous standard list using Alpine Guide as a singleton stand-in for Squadron Hawks.Bogardan is one of the islands that make up the Burning Isles. Strictly commander list trying to simultaneously make use of both of her abilities. The Ozolith is directing some of the synergy choices. With both commander and companion!Ī classic cube style affinity deck. Very much on the midrange end of the scale of goblin lists.Ī grindy tapout Esper midrange control deck with a mild miracle sub-theme. I will also stick a picture for a key identifier card for each deck just before the list to aid in breaking up the lists and finding stuff while scanning through.Ī fairly classic Rakdos build utilizing new cards in both Muxus and the Conspicuous Snoop combo. A capital C means it needs a commander to work properly, a lower case c means you can easily transform the list to be a commander deck or not as you see fit. This is to denote if it is a commander deck. Some lists have a big or little 'c' after them. As you will see, most of these lists are prompted by cards released over the year.īefore the actual decklists here is a list of the deck names in the same order they are copied here for quick reference. I'll give a quick intro to each list so as to provide some context and useful breaks. Should you be as technically inept as me to load these into cockatrice simply copy just the decklist and then in the deck editor section of cockatrice you can "load from clipboard" and presto, instant list! These are in no special order. Most had sideboards but mostly these were cards I was considering and didn't make the cut rather than being actual functioning sideboards. Some of these decks were build as "commander" decks, just normal 40 card cube decks but with commanders too! Some were entirely normal decks and others could transition between either mode. This is one of those articles that will offer a bunch to some people and nothing to many so if a whole bunch of random singleton lists are not for you then here is the point to stop. Just read the lists and take some inspiration. ![]() By all means take these decks and play with them however you like. This meant either cherry picking appropriate decks to battle or having some means of bidding on the lists in question. Power levels differ quite wildly as a result. Mostly they are the showcase style of deck trying to push a specific synergy to the max rather than being the optimal build of that list. As such, I am going to share all the decks I made for one reason or another over the course of the year. cod files but it transpires you can literally do it from a text file meaning I should be able to post the lists up here such that they can be copied and loaded up where ever you are with ease. Originally I thought I had to do this with the saved. The other big one is that I can ship them easily to others to load up for a quick battle. The main one being is that I still have them all, ready to be played with, updated, looked at, etc. It transpires there are a bunch of advantages to building up a load of virtual decks. As such I found I was making up decklists digitally on cockatrice rather than with cards (or as notes in drafts in this blog as I often do as a precursor). This year was rather different with various lockdowns making in person play not a thing. It is an attempt at providing a record and a resource as a byeproduct of some changes to routine over the past year. 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